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MONTHLY ARCHIVES: February 2010

HIS FAVORITE THINGS: PHILIPPE STARCK ON FAMILY, DESIGN, AND SOUNDWALK

philippe-starck

In a recent interview with the Financial Times, Philippe Starck named “24 Hours: The Starck Mix” as one of his favorite things.

Soundwalk designed the mix as a gift for the designer mixing 24 hours of music, voices, and ambient sound. In October 09, Starck was invited as a guest editor of Wallpaper* and, in association with Soundwalk & Clicmobile, made the “24 Hours: The Starck Mix” public as an ephemeral iPhone application and webradio available for one month only.

Check out the Financial Times interview to read more about what makes Philippe Starck happy: cast-iron fireplaces, mahogany, the Louis Ghost chairs, his wife, phantasmagoria…and keep an eye out for Soundwalk’s upcoming performance with Philippe Starck in Paris next month.

MYLITTLEPARIS HAND-PICKS SOUNDWALK PIGALLE

mylittleparis screenshot2

“Like a night butterfly, Lou Doillon leads you through Paris’ hot, steamy Pigalle quartier – elusive doorways, shadowy alleyways, erotic spots…. Let her narration guide you through this fanciful world of the after-dark.”

So says MyLittleParis of Soundwalk’s Pigalle walk in their post, “Un iPhone dans votre lit,” about applications that transform your iPhone into “your best-friend-for-a-night.” “MyLittleParis has hand-picked a little anthology of apps for you to improve your life in any number of ways,” they explain.

MyLittleParis is a chic and selective guide to Paris. If you’re visiting the city, check them out for shopping and good eats, and then look to Soundwalk for a view of Paris you won’t get in any guidebook.

Andrea Polli | Editions – Issue #4

Artist:         Andrea Polli
Title:          Commonwealth Scrape Ice  |  Observation Hill Hike  |  ©
Date:         2008
Duration:   10′11

photos by: Andrea Polli

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THE SOUND

section 1.

Today Hassan and I went to visit a couple more LTER met stations, one on top of Commonwealth Glacier in Taylor Valley. If you put a mic right down to the surface, the sound of a glacier is incredibly reverberant, almost as sound was going into a giant hollow space with highly reflective walls or through a tangled matrix of hollow glass tubes. It was too cold to record any melting sounds underneath the surface, but I was able to scrape and otherwise manipulate the surface to get some interesting and weird sounds. What I find weird in this short mono recording is the kind of high pitched squeaking and clicking that occurs behind the main scraping sound.

section 2.

Everything about this binaural recording is wrong: there’s wind noise, sounds of clothing rustling, radically fluctuating audio levels, but somehow when I listen to it (through headphones), I feel like I am right back on that hill.

THE ARTIST

Andrea Polli is a digital media artist living in New Mexico.  Her work addresses issues related to science and technology in contemporary society. She is interested in global systems, the real time interconnectivity of these systems, and the effect of these systems on individuals.  Polli’s work with science, technology and media has been presented widely in over 100 presentations, exhibitions and performances internationally, has been recognized by numerous grants, residencies and awards including UNESCO. Her work has been reviewed by the Los Angeles Times, Art in America, Art News, NY Arts and others. She has published two book chapters, several audio CDs, DVDs and many papers in print including MIT Press and Cambridge University Press journals.

links: http://www.andreapolli.com/

Jacob Kirkegaard | Editions – Issue #4

Artist:         Jacob Kirkegaard
Title:           Rewind  | ©
Date:          2007 – 2010
Duration:    8′40

photos by: Jacob Kirkegaard

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THE SOUND

Some years ago I started to collect the tape that I pick up in the streets and sidewalks around the world. I walk a lot wherever I visit, and every now and then I come across one of these crumbled old pieces of brown tape that somehow managed to escape its music cassette and is about to end its days as an abandoned and long-forgotten little piece of sound. I regard each string of tape as a secret witness that might tell a story, sing a song, provide a random and unexpected information about its habitat. So I pick it up, put it in a little plastic bag and note down the date, hour and location. If I happen to have brought a camera, I will also take a picture of the place. At home, I wrap up my find into a cassette, play it back and make a recording of the sound, or the fragments of sound, that are left on the tape.
This work consists of two pieces of tape that I collected on two different trips to Havana, Cuba. The first 4 minutes of the track are the A and B sides of a string of tape that I found last month. The tape was stretched out in the middle of a street in the center of the city. It was moving slowly down the hill towards the famous Malecón promenade as the cars drove by. (See picture) The second part of the track, 4.5 minutes long, consists of the A and B sides of another piece of tape that I picked up from the gutter in Habana Vieja, near the Malecón as well, in December 2007. It was curled up in a messy lump next to a garbage can.

THE ARTIST

Jacob Kirkegaard is a Danish artist who focuses on the scientific and aesthetic aspects of resonance, time, sound and hearing. His installations, compositions and performances deal with acoustic spaces and phenomena that usually remain imperceptible. Using unorthodox recording tools, including accelerometers, hydrophones and home-built electromagnetic receivers, Kirkegaard captures and contextualizes hitherto unheard sounds from within a variety of environments : a geyser, a sand dune, a nuclear power plant, an empty room, a TV tower, and even sounds from the human inner ear itself.

Now based in Berlin, Kirkegaard is a graduate of the Academy for Media Arts in Cologne, Germany. Over the last fifteen years, Kirkegaard has presented his works at exhibitions and at festivals and conferences throughout the world. He has released five albums (mostly on the British label Touch). Among his numerous collaborators are JG Thirlwell, Philip Jeck and Lydia Lunch. Kirkegaard is also a member of the sound art collective freq-out.

links: http://fonik.dk/ |   http://touchmusic.org.uk/

“KILL THE EGO” AU CENTRE POMPIDOU : 10 TICKETS A GAGNER !

Soundwalk le plaisir d’annoncer la projection de son film “KILL THE EGO le 26 février au Centre Pompidou à Paris dans le cadre du festival Hors Pistes 2010: Un Autre Mouvement des Images.

Depuis 2006, le festival Hors Pistes “s’attache aux nouveaux usages de l’image contemporaine et témoigne des ruptures et des détournements qui nourrissent les formes traditionnelles du film et de la narration. Pour cette 5e édition, un double dispositif illustre l’abondance et l’autorité des images. Les œuvres projetées en salle donnent à voir le monde contemporain à travers les regards singuliers, décalés et affirmés d’artistes internationaux.”

KILL THE EGO” a débuté comme une chanson, un poème épique de 40 minutes construit à partir de 10 ans d’enregistrements sonores capturés dans New York par Soundwalk entre 1998 et 2008. Les mémoires fragmentées de poètes et de dominatrices, de maquereaux et de prophètes, de visionnaires et d’enfants perdus… Les situations de rue les plus diverses, les recoins les plus improbables, l’agitation underground, les fables intimes et universelles de Manhattan, de Brooklyn ou du Bronx… Soundwalk a capturé puis mélangé des bruits, des paroles, des mélodies urbaines. Le peintre Rostarr s’est emparé de cette bande-son de la ville pour l’interpréter visuellement et s’est lancé dans un marathon de peinture documenté par les réalisateurs Jim Helton et Ron Patane. Inspirés par la technique utilisée dans le chef d’œuvre d’Henri-Georges Clouzot, «Le Mystère Picasso», ils ont cherché à donner vie au processus de création et donné naissance à cette œuvre sonore et visuelle qu’est le film “KILL THE EGO”.

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GAGNEZ DES TICKETS POUR “KILL THE EGO” AU CENTRE POMPIDOU !

Soundwalk offre dix tickets pour la projection de “KILL THE EGO” au Centre Pompidou. Le concours aura lieu du 10 au 18 février. Pour gagner un ticket, laissez un commentaire sous cet article. A la fin de la période du concours, dix gagnants seront tirés au sort parmi les auteurs de commentaires !

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PROJECTION : 26 février 2010, 20:00, Centre Pompidou, Paris

Tickets en vente le jour même sur place. 6€ (4€ tarif réduit).

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COLLECTOR SERIE | Application iPhone lancée par Label Dalbin, 21 mars 2010

“KILL THE EGO” sera également la première œuvre vidéo en vente dans l’application iPhone Collector Serie. Ce concept, lancé par Label Dalbin en collaboration avec l’agence mobile Clicmobile, va révolutionner la collection et la distribution de l’art vidéo en plaçant celui-ci littéralement au bout des doigts du collectionneur.

Le film Furtivo du chanteur Sebastien Tellier et de l’artiste Xavier Veilhan sera la deuxième œuvre disponible sur Collector Serie, et sera également projeté à Hors Pistes cette année (20 février 2010, 19:00).

www.collectorserie.com

PRESSE: télécharger le dossier de presse de l’application iPhone Collector Serie ici.

“KILL THE EGO” AT CENTRE POMPIDOU: 10 TICKETS TO WIN!

Soundwalk is very pleased to announce the screening of its movie “KILL THE EGO at Centre Pompidou’s Hors Pistes 2010: Un Autre Mouvement des Images festival in Paris on February 26.

Since 2006, the Hors Pistes festival has, “in examining new usages of contemporary imagery, shown the ruptures and departures that nourish traditional forms of film and narration. For this 5th edition, a double device illustrates the abundance and authority of images. The contemporary world firstly appears in the screened works, through the uncommon, unconventional and asserted vision of international artists.”

KILL THE EGO” began as a song, as an epic 40-minute-long poem composed of 10 years of sound recordings captured in New York by Soundwalk between 1998 and 2008. The fragmented memories of poets and dominatrixes, of pimps and prophets, of visionaries and lost children – the gamut of stories from the street: of the most obscure corners, of underground unrest, intimate and universal biographies of Manhattan, Brooklyn and the Bronx – Soundwalk has captured and woven together the sounds, conversations, and songs of urbanity. This soundtrack of New York City has been represented visually onscreen by the artist Rostarr, who used the sound recordings as a launch for an art series documented by directors Jim Helton and Ron Patane. Inspired by the technique used in Henri-Georges Clouzot’s masterpiece “Le mystère Picasso”, the directors sought to give life to the creative process and gave birth to the aural and visual work that is the film KILL THE EGO.

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WIN TICKETS TO “KILL THE EGO” AT CENTRE POMPIDOU!

We are giving away ten tickets to the screening of “KILL THE EGO” at Centre Pompidou in Paris. The contest will run from February 10-18. To win a ticket, leave a comment on this blog post – at the end of the contest period we will select ten winners at random!

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SCREENING: 26 February 2010, 20:00, Centre Pompidou, Paris

Tickets available for sale before the screening at the Centre Pompidou ticket counter for 6€ (4€ reduced price).


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COLLECTOR SERIE | Launched by Label Dalbin, 21 March 2010

“KILL THE EGO” will also be the first piece available for purchase through the Collector Serie application for iPhone. This concept, developed by Label Dalbin in collaboration with mobile agency Clicmobile, will revolutionize the collection and distribution of video art by placing it literally at the collector’s fingertips.

Singer Sebastien Tellier and artist Xavier Veilhan’s film Furtivo will be the second film available for sale through Collector Serie, and will also be screened at Hors Pistes this year (20 February 2010, 19:00).

www.collectorserie.com

KILL THE EGO will also be the first piece available for purchase through the Collector Serie application for iPhone. This concept, developed by Soundwalk co-founder and CEO Alex Kummerman, will revolutionize the collection and distribution of video art by placing it literally at the collector’s fingertips. Xavier Veilhan’s film Furtivo will be the second film available for sale through Collector Serie, and will also be screened at Hors Pistes this year.
[09/02/10 17:05:15] Isabella Neale Yeager: add: Soundwalk contributor Xavier Veilhan?


INVISIBLE TO THE EYE, VISCERAL TO THE EAR: NICK SOWERS ON HIS FEATURE WITH SOUNDWALK EDITIONS

bunker
photo by: Nick Sowers

In its Editions #3, Soundwalk featured Nick Sowers’ Audio Cemetery at Omaha Beach, an aural memorial to the thousands of German and American soldiers who died on this coastline. “Invisible to the eye, visceral to the ear,” Sowers’ work draws  upon sound’s evocative nature to give the listener a haunting feeling of immersion in this eerie landscape. On his blog, Soundscrapers, Sowers has written about Soundwalk’s feature of his work and explained the creative process behind the project.  ”In my piece, I am looking to create something at Omaha Beach, Normandy, that I feel is essential to the reading of the landscape,” he says. “I am seeking in sound what cannot be found in visual space.”

“Nick Sowers is practicing the construction of space with sound and 2×4s in the SF Bay area. He is finishing an M.Arch at UC Berkeley this May after a year of traveling around the world studying militarized landscapes, bunkers, US bases, memorials, and more.” His Soundscrapers work was also named by XLR8R magazine as one of the top audio installations of 2009.

Head to his site to read about his artistic process and his work with Soundwalk Editions, and check out his Flickr set for recent renderings of his other sound installation projects.