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TAG ARCHIVES: LE SON DU NOUS

LE SON DU NOUS IN FRENCH CULTURE MAG TELERAMA

Picture 32 LE SON DU NOUS IN FRENCH CULTURE MAG TELERAMA

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Télérama has recommended LE SON DU NOUS in its “Sortir” section this week (March 17, 2010), quoting Stephan Crasneanscki: “[The principal actor in this new performance is sound, not the narrator or the musicians. We are creating a sonic opera, unique and generous like Philippe, who unceasingly shares his ethical and subversive vision of a more just world."  They go on to describe the performance thus: "[The score is made from sounds, not notes, drawn from the incredible soundbank that Crasneanscki has compiled over the past decade. The public, always involved and interacting, will be able to leave their own mark on the show[:] during this extraordinary experience, the public will in effect be asked to produce their own primal sound….]”

Thanks for the coverage, Télérama!

For more information on attending the show, head to the Facebook event page here.

To book tickets: call the box office at 01 45 13 19 19, or buy them online here.

We look forward to seeing you all there!


MARC HURI: SOUNDS OF WHO HE IS TODAY

marchuri MARC HURI: SOUNDS OF WHO HE IS TODAY

Listen to an exclusive Live Session by Soundwalk collaborator Marc Huri, who will be on stage for the realization of LE SON DU NOUS, with Philippe Starck at MAC Créteil’s International Exit Festival, March 19th and 20th. Huri is a Swiss artist who creates alternative electronic music and ambient sound, releasing music under the name, Hursaki.

This session was produced by Huri following an interview on France Culture’s “Le Rendez-vous,” of Philippe Starck and Alex Kummerman, in which the two discussed the unique concepts of the project.

8 Click here to listen to the interview.

Huri’s live session is a mix of natural and manufactured sound. Birdsong, electrical noises, and human voices are all present on the track, conceived for a performance directed toward the discovery of the sound of Us.

Huri says that the inspirations for his live session were the sounds that we find disagreeable. He takes pleasure in turning these sounds into something beautiful. “On this track there are subway noises, the grinding of trains on rails, [he manipulates and integrates] them in a way to create music.”

Huri describes his creative process, saying that when he hears sound, images form inside his head and a little film takes shape. The sounds tell their own story. On this particular track, Huri sees himself as part of a story: of a voyage, on an eastern European train. At first, one feels cradled by the noise, and then, startled and more awake. Huri calls it “exciting, unexpected, and also frightening.”

Philippe Starck talks about each person having a unique, individual sound: he says that his is an Indian flute with three holes, that produces a melody which can transport one into a trance-like state. Soundwalk‘s Stephan Crasneanscki says that he prefers the sound of silence. When asked about his own sound, Huri says that finding such a sound is a lifelong trial. For LE SON DU NOUS, he is focused on projecting the sound of who he is today: Huri says that this sound comes to him instinctively. Currently, Huri pursues an interest in exploring the relationship between sound and image: he takes his camera, sound equipment and guitar, and explores the different sounds they create together. For “Le Rendez-Vous,” Huri produced a very particular sound, punctuating the piece using the two repeated passages. He says that, “it is after me that the sound of who I am today emerges. It is something of a hybrid; of the media who searches for it, finds it, and transforms it.”

8 Click here to listen to Marc Huri’s live session

Photo Credit: Marc Huri


LE SON DE VOUS

Picture 14 LE SON DE VOUS

Our contest to win tickets to LE SON DU NOUS, which was conducted on our Facebook and Twitter, has come to an end. Thanks to all who participated! The winners have received or will receive emails, and others can book tickets to the show online at www.maccreteil.com or by phone 01 45 13 19 19.

To wrap up the contest, we’ve collected all the responses to our question “What is your sound?”, inspired by Stephan Crasneanscki’s and Philippe Starck’s statements about sounds they felt represented who they are. We’re posting a selection of some of the responses here! Thanks to everyone who replied – your thoughts were inspiring and creative.

“When it’s all [quiet], silence starts to disturb you deeply and you need to make a noise. Generally you open your mouth and this [meaningless] noise [comes] through from your inside….” - Çisil

C’est celui d’une douce brise de vent frais qui vers dix heures trente se glisse dans mon coup lorsque je descends les Buttes Chaumont par le pont, c’est celui des beignets de churros qui lentement fondent et se brisent sous mes dents au goûter, c’est celui de mes pas dans le jardin du Luxembourg qui discrètement laissent rouler quelques grains de sable, c’est celui de mon journal sur lequel je griffonne avec mon stylo noir des bribes de discussion frénétique entre deux passantes, c’est celui du taxi qui tourne place de l’Opéra et parfois par plaisir écrase quelques bouteilles de plastique vides laissées là , c’est le son du clavier qui termine d’écrire en douceur ce message et de mes doigts effleurant la tasse de chocolat chaud couleur nacre désormais vide.- Alexandre

“Signal sinusoïdal à 440Hz” - Buck

[The sound of a laugh that echoes in a well without fading....]” - Marie

“Le son ténu, souffle, lèvres, battement de cils, que produit le sourire qui s’étire sur un visage étonné.” - Catherine

“[My sound is always different - it is the feeling of the moment]- Marie

Photo credit: Stephan Crasneasnscki


FROM “LE SON DU NOUS” TO “LE SON DU MOI”

France Culture 450x450 FROM LE SON DU NOUS TO LE SON DU MOI

Philippe Starck and Soundwalk‘s co-founder Alex Kummerman spoke with France Culture’s “Le Rendez-Vous” last night. “Le Rendez-Vous,” broadcast by France Culture, is a French public radio show which broadcasts every weeknight. It takes the form of interviews relating to topics of news, politics, and culture. Starck and Kummerman were invited to introduce their concepts on sound and the upcoming LE SON DU NOUS show,  produced by Dalbin, at MAC Créteil’s International Exit Festival, March 19 & 20.

8 CLICK HERE TO LISTEN TO PHILIPPE STARCK’S INTERVIEW WITH FRANCE CULTURE (in French only)

Known primarily as a designer, Starck is quick to declare his passion for sound and music. When asked about LE SON DU NOUS, Starck declares what he finds most interesting about the show is that he does not yet know the sound of us. It will be created at the performance. Starck finds this both humorous and fascinating: his aim with LE SON DU NOUS is to “open a door,” and encourage each person to find his own unique sound.

He makes a comparison to Franco-Swiss filmmaker Godard’s Alphaville: in which the main character, played by Eddie Constantine, opens door after door in a corridor that serves as a metaphor for the human mind. Starck’s aim is to “open up” our minds, giving us a view of what is inside.

Sound is a concept that is very dear to Starck. He sees sound as something that is not only heard, but more importantly, recieved. Starck describes sound as a space, something verging on the physical. He names 24 Hours: The Starck Mix, a “bespoke” mix of ambient sound and music created by Soundwalk for the designer, as the most incredible gift he has ever received. In passionate words, Starck describes the mix as “like a drug,” creating an imaginary space which was all at once “extraordinary, rich, eclectic, and moving.”

Soundwalk’s Alex Kummerman speaks about how our capacity to transmit sound has grown in recent years. He cites the advances in digital music and the availability of high quality-sound on personal music devices. He claims that the ipod can rival any large radio antenna, and has changed the way in which we consume sound.

It is the relationship between Starck and Soundwalk where the soundscape is created: it is an encounter between a designer (whose work resides in the production of material objects) and a sound art collective (whose work resides in the manipulation of the immateriality of sound). The two combine to create a space that is both physical and imaginary.

We are given a sample of this concept with a Live Session by Marc Huri, a Soundwalk collaborator who will be on stage for the realisation of LE SON DU NOUS.


INTERVIEW: ERIC DALBIN ON CONTEMPORARY CREATION

Dalbin interview  INTERVIEW: ERIC DALBIN ON CONTEMPORARY CREATION

8 LISTEN TO ERIC DALBIN’S INTERVIEW WITH RADIO ALIGRE on dalbin.com (in French only)

Eric Dalbin was invited by Véronique Godé, aka Orevo, for an interview on the radio show “Vive le cinéma” on Aligre FM to discuss Label Dalbin‘s current projects, among them his work with Soundwalk and Philippe Starck for LE SON DU NOUS.

Dalbin initiated, directed and produced LE SON DU NOUS. An independent contemporary creation label founded in 2003 in Paris, Dalbin produces and publishes works of art, events and audiovisual content. They co-produced “Kill the Ego” from Soundwalk to Rostarr, which will be featured in the art collection iPhone app and website Collector Serie on March 21.

In this interview, Eric Dalbin speaks of  the idea of contemporary creation at the heart of his label, which seeks to support and be involved in artworks that cross the boundary between sound and image.

He talks about the artwork and artists that Label Dalbin has been working with in this vein: how he introduced Rostarr to Soundwalk’s Stephan Crasneanscki and Dug Winningham to make “Kill the Ego”, on the appearances of Xavier Veilhan and Sebastien Tellier on the film “Furtivo”…

Eric says of Collector Serie that its theory lies in an aspiration to build a collection of video artworks where sound and image can melt together and form a new media or ‘matière’. He is enthusiastic about the dematerialization of art distribution facilitated by new technologies. Collector Serie artworks will be available online (through the website Collectorserie.com) and on the iPhone/iPad.

Eric Dalbin gives a few sneak peaks into LE SON DU NOUS. Label Dalbin initiated the idea for this performance, an encounter between the designer Philippe Starck and the art collective Soundwalk centered around the quest for the essence of the human sound. LE SON DU NOUS will build a sound narration between Starck and Soundwalk, in which Starck will talk about his passion for sound, while Soundwalk will explore the history of sound, from pre-human sounds to sounds produced by human systems and constructions. This sound dialogue will be enhanced by intrumentalists, sound technicians (‘bruiteurs’), and the audience.

© DR, Photo credits to www.dalbin.com


THE SOUND OF STARCK

Picture 11 600x390 THE SOUND OF STARCK

We are reposting Philippe Starck‘s interview with BLAST Magazine (June 09) as an introduction to LE SON DU NOUS at MAC Créteil. This performance show with Philippe Starck and Soundwalk, initiated by Dalbin, is an inquiry into the sound that we lack and must look for.

In his interview with Blast, Starck discusses the value of sound and his passion for it. He declares that sound is more important than music, and that we have a physiological need for sound. Sound is the closest thing to our souls. Each person has a sound: we must look for the sounds closest to us. Starck speaks about how he associates sound with different parts of himself, and how these associations evolve throughout the day. This idea is the inspiration for 24 hours: The Starck Mix, a “bespoke” mix of ambient sound and music composed by Soundwalk.

Philippe Starck applies this concept of sound in his upcoming collaboration with Soundwalk: it is an exploration of sound which is intimate and personal, while at the same time collective and universal. Each of our personal sounds, when heard together, form LE SON DU NOUS: the sound of us.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

This is an excerpt of a phone interview with Philippe Starck for BLAST Magazine about his passion for music and sound. We used Erik Satie’s Gnossienne (No. 4) in the background, it was one of the 10 pieces listed on his BLAST playlist.

How about you? What sound do you think expresses who you are? Answer here and win tickets to “Le Son du Nous” show on March 19 & 20 at MAC Créteil.

Image and audio courtesy of Stephan Crasneanscki and BLAST Magazine


STEPHAN CRASNEANSCKI FOR LACHAINETELE


Interview du créateur du collectif Soundwalk, Stephan Crasneanscki

The French webchannel Lachainetel.tv has just interviewed Soundwalk founder Stephan Crasneanscki about Soundwalk’s beginnings, Le Son du Nous, the Exit Festival at MAC Créteil, the Ulysses Syndrome, and what Crasneanscki considers to be his own individual sound.

For English readers: a brief summary of the interview -

On SOUNDWALK: ["I began by making synchronized audio tours of my favorite places in New York City using my own voice, for my friends...the tours then evolved into a way to enter into the life of another person for an hour and see the city through their eyes, while following the narrative of their story."]

On LE SON DU NOUS: ["The idea is to create these three movements of sound - natural and organic sounds existing before humanity, internal sounds of the human body, then sounds created by humans' influence on their environment, both small & large: a spoon against a glass, the sound of a building being constructed or crumbling to the ground...to lead us together to find the true Sound of Us."]

On MAC Créteil’s EXIT FESTIVAL: ["An interesting and exciting platform for experimental projects in art and design, where creatives like Starck and Soundwalk can meet and collaborate...."]

ULYSSES SYNDROME: ["The project entails capturing Hertzian frequencies on the Mediterranean Sea, like  fishermen have snared fish throughout history, and melding the sounds into a 24-hour audio collage, resonant of the 24 songs of Homer."]

On his INDIVIDUAL SOUND: ["Since I work with sound as a material every day, in the end I prefer silence, but among sounds my favorites are natural: the sounds of the body, of breath, and of nature - of wind, of falling rain...."]

Click here to tell us about your individual sound and WIN TICKETS to LE SON DU NOUS with Philippe Starck at MAC Créteil! Also watch for more interviews, sound clips, and exclusive sneak-peaks at the show during the next week!


WIN TICKETS TO OUR SHOW “LE SON DU NOUS”!

starckBlast WIN TICKETS TO OUR SHOW LE SON DU NOUS!

WstarckBlast WIN TICKETS TO OUR SHOW LE SON DU NOUS!e are giving away ten tickets to our performance show “LE SON DU NOUS” with Philippe Starck, at MAC Créteil on March 19 & 20. The contest will run from March 5-12.

To win a ticket, become a fan on Facebook (click here) or follow us on Twitter (click here).

If you already do these things, answer the following question as a comment here, on our Facebook page, or on Twitter:

Q: Philippe Starck describes his individual sound as that of an Indian flute with three holes, producing a melody of almost trance-inducing intensity, while Stephan Crasneanscki says that he feels most at home with the sounds of the human body, of nature, or more than any other sound, the sound of silence. What sound do you think expresses who you are?

We will be giving away 5 tickets each for the nights of March 19th and 20th. On March 15 we will select ten winners at random!

________________________________________________________________________________________________

Gagnez 10 tickets pour notre performance “Le Son du Nous” avec Philippe Starck à la Mac Créteil les 19 et 20 mars. Le concours dure jusqu’au 12 mars.

Pour gagner une place, devenez fan de Soundwalk sur Facebook (cliquer ici), ou suivez votre actualité sur Twitter (cliquer ).

Si c’est déjà le cas, vous pouvez tenter votre chance en répondant à la question suivante dans les commentaires de ce blog post, sur Facebook ou sur Twitter.

Q: Pour Philippe Starck, nous avons chacun un son individuel, qui nous définit et qu’il s’agit de retrouver. Le son de Philippe Starck, c’est celui d’une flûte indienne à trois trous, qui produit une mélodie le transportant dans un état proche de la transe, tandis que Stephan Crasneanscki, fondateur de Soundwalk, préfère le silence. Et vous, c’est quoi votre son ?

Nous offrons 5 tickets par représentation. Le 15 mars, 10 gagnants seront tirés au sort !

Picture of Philippe Starck shot by Soundwalk founder Stephan Crasneanscki